Books


The Most Radical Gesture, the Situationist International in a Postmodern Age, Routledge, London and New York, 1992 

Zeros and Ones, Digital Women and the
New Technoculture, Fourth Estate, London; Doubleday, New York, 1995

Writing on Drugs
, Faber and Faber, London; Farrar, Straus and Giroux, and Picador, New York, 1999


Translations

Olaf Nicolai & Jan Wenzel, Labyrinth, ein Buch in Vier Vorträgen, translated from the German by Sadie Plant as 4x through the Labyrinth, Spector Books, Leipzig, and Rollo Press, Zürich, 2013

Translations also include work for the Swiss Sculpture Exhibition 2014, Haus am Gern, Zurich University of Arts, Luzern University of Sciences and Arts, Kunsthaus Langenthal, as well as commercial translation services for companies including by the way communications AG, Bern; Outdoor Dreams GmbH, Burgdorf; Outreach GmbH, Bern; ArchaeoConcept, Biel/Bienne



Commissioned Reports
 
 
On the Mobile, the effects of mobile
technologies on social and individual life, Motorola, Chicago, 2001

Creative Childhoods: A Celebration
, Lillian de Lissa Nursery School, Birmingham, 2010

  


Recent Articles
 
 
'Critical Gestures', Intermedia Art, Tate Gallery, London, 2008 read here 

'A Situated Report', Jonctions 10: Tracks in electr(on)ic fields, Brussels 2009 

Foreword to The Spam Book, Jussi Parikka and Tony D. Sampson, eds, Hampton Press, New Jersey 2009 read here
 
'Eleven Thoughts on Nothing', Vides, Un rétrospective, Centre Pompidou, Paris, 2009 

'Negotiations', essay for the catalogue of Ausstellung Negotiations, Today Art Gallery, Beijing, 2010 read here

'Collisions', essay for Toby Zeigler's exhibition catalogue, Simon Lee Gallery, London 2012 

Foreword to I See What You're Saying: the Materialisation of Words in Contemporary Art, Henry Rogers, ed., BIAD/Ikon Publications, Birmingham 2012 read here

'Brum Beat', essay for Beat Streuli exhibition, Ikon Gallery, Birmingham 2012

'Beating Time', essay for catalogue accompanying Megarave, Kunsthaus Langenthal, 2014

'Not yet titled, never will be', in Christoph Weber, Uncast, Spector Books, Leipzig 2015

Review of Lorretta Fahrenholz, Frieze d/e no. 22, December 2015 - February 2016

'Something in the air', essay for Helmut Völter's forthcoming book on clouds and the work of Masanao Abe


'Compelled to count', Catalogue essay to accompany Susan Morris's solo exhibition at Centre PasquArt, Biel/Bienne





Forthcoming essays


'Nursery stories', essay for forthcoming publication on the work of Eamon O'Kane

essay to accompany Bea Schlingelhoff's typefaces