The Most Radical Gesture, the Situationist International in a Postmodern Age, Routledge, 
London et New York, 1992

Zeros and Ones, Digital Women and the
New Technoculture, Fourth Estate, London; 
Doubleday, New York, 1995

Writing on Drugs
, Faber and Faber, London; Farrar, Straus and Giroux, et Picador, New York, 1999 

Rapports mandatés
On the Mobile, the effects of mobile 
technologies on social and individual life, Motorola, Chicago, 2001

Creative Childhoods: A Celebration
, Lillian de Lissa Nursery School, Birmingham, 2010

Livres traduits

Olaf Nicolai & Jan Wenzel, Labyrinth, ein Buch in vier Vorträgen, traduit de l'allemand par Sadie Plant sous le titre 4x through the Labyrinth, Spector Books, Leipzig, et Rollo Press, Zürich, 2013
Articles recént
'Critical Gestures', Intermedia Art, Tate Gallery, London, 2008 lir ici 

'A Situated Report', Jonctions 10: Tracks in electr(on)ic fields, Brüssel, 2009 

Préface de The Spam Book, Jussi Parikka and Tony D. Sampson, eds, Hampton Press, New Jersey 2009 lir ici
'Eleven Thoughts on Nothing', Vides, Un rétrospective, Centre Pompidou, Paris, 2009 (aussi en français)

'Negotiations', contribution au catalogue de l'exposition Negotiations, Today Art Gallery, Peking, 2010 lir ici

'Collisions', contribution au catalogue d'exposition de Toby Zeigler, Simon Lee Gallery, London 2012 

Préface de I See What You're Saying: The Materialisation of Words in Contemporary Art
, Henry Rogers, ed., BIAD/Ikon Publications, Birmingham 2012 lir ici

'Brum Beat', contribution au catalogue d'exposition de Beat Streuli, Ikon Gallery, Birmingham 2012

'Not yet titled, never will be', in Christoph Weber, Uncast, Spector Books, Leipzig 2015

Review of Lorretta Fahrenholz, Frieze d/e no. 22, December 2015 - February 2016

'Something in the air', essay for Helmut Völter's forthcoming book on clouds and the work of Masanao Abe

'Compelled to count', Catalogue essay to accompany Susan Morris's solo exhibition at Centre PasquArt, Biel/Bienne

essay to accompany Bea Schlingelhoff's typefaces